The Third Profile (2026, New York) presents identity as something assembled rather than fixed. Eyes, contours, and partial profiles overlap into a face that keeps shifting as you look. Muted blue and ochre move between calm and tension, while dark graphic lines hold the fragments in active balance. The work suggests a presence beyond the obvious two-sided portrait: a third profile formed in the space where contradiction, memory, and attention meet.
Printed on museum-quality matte paper sourced from Japan.
