The Posture of Obedience (2026, New York) shows a figure bent downward, almost upside down, as if reshaped by the demands of work culture. Its twisted posture suggests conformity, submission, and the quiet strain of trying to fit into a system that asks the body to adjust, endure, and perform. Within Labor of Being, the work reflects the emotional cost of obedience and the distortion that can come from surviving through compliance.
Printed on museum-quality matte paper sourced from Japan.
