Peripheral Chorus (2026, New York) fractures a single head into a field of partial profiles, watchful eyes, and drifting signals. Cool slate-blue forms anchor the composition, while red and ochre marks flicker through the gaps, part emotional pulse, part interference pattern. The face never resolves into one stable likeness; it behaves more like a live diagram, where memory, mood, and attention overlap in real time. Minimal in palette but dense in movement, the drawing holds contradiction on purpose: alert and withdrawn, playful and guarded, centered and peripheral at once.
Printed on museum-quality matte paper sourced from Japan.
