Interlocking Self (2026, New York) compresses a portrait into a tight system of blocks, joints, and turning corners. A face appears only in fragments, slipping between compartments like a thought moving through a maze. Dots and short tick marks act like connection points, suggesting stress, pause, and re-routing. The figure does not present one clear expression; it holds together as an arrangement, built from many small decisions that lock and unlock as you look.
Printed on museum-quality matte paper sourced from Japan.
