Held Between Faces (2026, New York) compresses two presences into one shared structure. Profiles overlap and trade edges, eyes appear in unexpected places, and limbs slip through the composition like thoughts that will not stay contained. The drawing reads as both embrace and collision, a portrait built from proximity, pressure, and mutual interference. Rather than separating identities cleanly, it shows how the self is shaped in contact with others, formed in the space where two faces cannot fully let go.
Printed on museum-quality matte paper sourced from Japan.
