Hard Switch (
2018, London) brings cut planes and printed noise into collision, breaking attention into abrupt lanes. Color fields stack like interface windows, while black strips function as joints, rails, and hard edits that force the eye to reroute. The semicircle cap and vertical orange bar carry a sense of pressure and acceleration, a system pushing forward as fragments lag behind. White space offers no relief. It reads as dropout, a moment of signal loss where continuity fails and the composition keeps moving anyway.
Printed on museum-quality matte paper sourced from Japan.
