Glitch Exit (2026, New York) have two creatures that appear like trapped impulses, pushing against the stripes of a mapped life. They want to rupture the route, but the grid is everywhere, outside and inside, until even the brain moves along it automatically. The drawing becomes a portrait of resistance under conditioning: a self trying to break free from a path it has learned to follow. The closest thing to an exit is a glitch, a small misalignment where the pattern fails and something real slips through.
Printed on museum-quality matte paper sourced from Japan.
