Crossed Wires (2021, New York) is a dense, restless portrait built from intersecting lines and scattered eyes, the figure feels half-human, half-network, thoughts, memories, and signals all tangled together until you can’t tell where one motion ends and the next begins. Thick black strokes act like scaffolding, pinning the composition into sharp panels and crosshatched nets that wrap around the face without ever sealing it shut.
Above, boxy, roof-like forms perch on the head like unstable architecture; below, the portrait splinters into multiple viewpoints, with eyes flashing from corners and framed cutouts as if the self is watching itself from inside its own compartments. Rather than resolving into a single likeness, the drawing stays wired and unfinished, an anxious map of attention, layered, crowded, and unresolved.
Printed on museum-quality matte paper sourced from Japan.
